In Revelation, though there is an
employment of a significant amount of apocalyptic imagery, much like in the prophetic
works of the Hebrew Scriptures, this apocalyptic imagery is primarily designed
to reveal what some may refer to as “spiritual” truths and activities that are
at work and at play in relation to material and physical happenings.
Humans are limited in vision, and
as Isaiah says, the Creator God’s ways and plans are not those of humanity, nor
are His thoughts and deeds the thoughts and deeds of those that were created to
bear His image (Isaiah 55:9). There is something of a veil that limits human
vision, which keeps humanity from seeing what it is that the Creator God
sees. The purpose of apocalypse (revelation) is to remove that veil,
which is the very definition of the word.
For those that were understood to
have been receiving communications from the Creator God through the Hebrew
prophets in the centuries before Christ, and for those in the first century
that were understood to have been receiving communications directly from Jesus
through John the Revelator, this removal of the veil, in a world in which there
were no separations between religious activities and so-called “secular”
activities---no division between the sacred and the profane, the unveiling
would be understood as the Creator God taking steps to condescending to reveal
the spiritual goings-on that were related to what was happening in the world
around them. This is dreadfully important for any potential understanding
of words to be found within Revelation.
One must remember that Paul and
Peter, along with the Hebrews author and the author of the letters of John, all
wrote letters to specific churches and individuals. Though these letters
would become useful to the whole of the church, they were first directed to and
dealt with places, people, and events. Knowing this, one should exercise
restraint when tempted to treat John’s communications differently. Just
because a reader of Revelation happens upon fantastic and
difficult-to-understand imagery, that certainly doesn’t mean that the same
reader should dismiss John’s insistence that these letters, and this
Revelation, are for the “seven churches that are in the province of Asia”
(1:4a).
Returning then to the words of
temperature (hot, cold, lukewarm), having insisted that they serve as
geographic indicators, it is imperative to realize that they are something of a
play on familiar words and of what is well-known about the area in which
Laodicea is set. It should not be a surprise to find Jesus, through the
author, employing such a strategy. Even the Apostle Paul’s famous phrase
of “from faith to faith,” or “ek pisteos eis pistin” (Romans 1:17), is lifted
from what could be termed as the liturgy of the Caesar cult.
In this, Paul takes a familiar
term and applies it to what should be truly understood about Jesus, rather than
Caesar. This is even more pronounced with the New Testament’s employment
of the very word “gospel,” which was also in heavy and specific use within the
Caesar cult, in application to the works of Caesar himself. So the New
Testament has recurring instances of plays on words and the usage of familiar
terms, re-worked and re-deployed for particular effect on a regular
basis.
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